Abstrait

Treatment of Myth in Girish Karnad`S Play the Fire and the Rain

Jemima Daniel

GirishKarnad has already set out his dramatic excellences while working on the myths and symbols in his Hayavadana, Tughlaq and Naga-Mandala. Myth and folk-tales becomes symbolic of unveiling the social and moral norms and the psychological obessions with men and women of the society. He surpasses his own dramatic genius in the structural pattern of The Fire and The Rain for showing vehemently opposing elements; the rain of human love and sacrifices. The Fire and The Rain abounds in its hard-woven texture the riches of psychology, the aversion and the jealousy of man against man, father against son, wife against husband, high caste against low caste people, man against God, freedom against bondage, hate against love, the fire against the rain, passion against the truth, and above all vidya against avidya.